Lost In Translation – Review

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6 comments   |   Domestic Film Reviews

Bill Murray stars in Lost In Translation, who plays Bob Harris, a washed up actor who now has found more money from the people of Japan than from his own country. He arrives at a prestigious hotel in Tokyo and finds himself all alone in the land of the rising sun. Bill Murray’s character is going through a midlife crisis; Scarlet Johansen’s is tormented that she cannot seem to discover her purpose in life. Both are trapped in a place where they know no one, and understand nothing. When the movie hits you right, it’s a pure pleasure from its unassuming start, it is just too bad the film doesn’t keep its momentum. Personally I enjoy movies about real people. I enjoy movies where I can see individuals who I might actually meet and care about. The only thing I had a problem with was the use of Anna Faris. Though humorous, I felt she could have played a character who really acted like a serious actress. I felt she knew she was playing a bimbo and made sure the camera captured it.

But, that was just my problem with the actors, the story is another…well…story. . It is also just a shade over 90 minutes long, making it quite short in comparison to typical movies of today. Charlotte and Bob spend their nights together, fighting insomnia, running from one club or party to another. But even when when Charlotte and Bob’s adventure begins it is quite apparent they are still not truly happy. Does that mean this is a manifesto movie? No. But it does mean that it manifests a sensibility you rarely see on the screen. I don’t even think of it as an art movie.

The film is a string of vignettes, without much in the way of a narrative line, and the story loses momentum in the last half-hour. Many lonely scenes penetrate the viewer. Bob goes to the swimming pool at the hotel. On one occasion, a water aerobics class is taking place on the other half of the pool, while Bob is solitary on the other side, swimming laps. This is either going to bore you to tears or you find the symbolism moving. I found myself to be quite bored.  The long, quiet scenes can lull the very tired into a coma. Sometimes when a film confuses some members of the audience, it’s because the director has failed to get a point or a mood across. One thing I will give praise to is the setting itself.  The scenes of Japan are breathtaking, making a totally foreign place seem as real as the chair in which we sit. The film makes fun of the weird things that the Japanese do, but it also makes fun of the weird things Americans do in a foreign country.

Lost In Translation brought forth a beautiful series of human emotional truths but it is just too bad the pacing dragged to the point where I almost lost all emotional ties with the characters. I would like to say this is a terrible oversight, but it is such a blatant omission that it really made me feel like turning off the film at times and giving up. I tried to admire the gentleness with which the two leads interacted but some scenes were so sporadically free to just explore their own destinations that I felt like labelling this movie as a boring cinematic experience that builds very slowly to a soft anticlimax. Not excellent perhaps, but at least very good, I have to sum it up as a bittersweet experience. It is something you either agree with or you do not. It’d be useless to try to convince people otherwise. For now, Sofia Coppola is a breath of fresh air in the film industry. I hope she can keep it up, but turns up the heat on her next film.



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  • http://hagiblog.wordpress.com The Film Reel

    Oh man, this is one of my absolute favorite movies and I have to tell you why. When I watched this flick it was like I was watching my life at that moment. Besides the fact that I wasn’t in Japan I could swear that the movie was about me. I was in the exact same situation as Murray’s character and the film instantly had a hold on me.

    I think the reason the two characters don’t seem happy even when their adventures begin is because they both realize that it ultimately leads nowhere. It’s as if you can see the joy build in them and then the realization sinks in and they sink with it.

    The scenery is gorgeous and the city really does become it’s own character. This is one of those movies in my life that I just happened to see at the perfect moment making it an instant favorite and etching it forever in that part of my soul that hasn’t been blackened from years of horror movies! HAHA!

  • http://japancinema.net cello85

    That’s pretty awesome of you to share that. It goes to show you one mans rating is only one mans rating, nothing more. I’m glad you got more out of this film then I did and you might have understood some parallels that I might have either ignored, or perhaps overlooked. Thanks for sharing Will!

  • http://www.anomalousmaterial.com/ Castor

    Mostly agree with your assessment and score. Although I get the symbolism of being lost in a foreign culture, the movie just dragged on and on… Acting-wise, Murray and Johansson acted like they were dead zombies, overly underplaying the roles (this was before people realized that Johansson doesn’t know the difference between wooden acting and underplaying a character)

  • http://flixchatter.wordpress.com/ rtm

    This is such a polarizing film, people either LOVE it or HATE it. I actually like this one despite its slowness… Bill Murray’s wonderfully understated and it’s probably the only Scar-Jo movie where I like her performance. A lot of people I recommend this film to didn’t enjoy it, but I think it’s a poignant satire with really funny, memorable scenes. ‘Lip my stockings!’ Classic.

  • Trang Le

    Completely agree with your assessment. It starts out as a very promising film, until it drags on and on by Coppola’s unoriginal ideas and Bill Murray at his least inspiring performance. 

  • Jen

    I watched this movie for the first time yesterday and didn’t finish it. The changing between scenes look amateur -its like skip-skip-skip, and I really agree about the non-art movie you pointed out. In some scenes, it even looks like a documentary about Japan.
    Besides the skippy scene, I also can’t figure out what kind of relationship the two main characters actually in, I just can’t feel it. In many scenes, Murray also acted as if he is the same age as Scar-Jo’s character. He and she weren’t shown having any serious unsolvable problem with their husband and wife. Its just like a relationship boredom, and aren’t strong enough.
    I honestly don’t convinced by the acting of the rest of the actors and actresses.
    The movie itself not necessarily that bad. Some scenes made me laugh, and I believe its not an easy thing to do a movie production in a foreign country that has such a total different culture such as Japan.