Tales From Earthsea – Review

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3 comments   |   Anime Film Reviews

Tales from Earthsea is an adaptation of Ursula le Guin’s beloved “Earthsea” series, initially written as a trilogy, but now including at least six installments. If you see the Miyazaki appeal then you aren’t far off as there was already a connection between Hayao Miyazaki and the Earthsea books; he claims to have been heavily influenced by their worldviews and mythologies, both of which avoided the tradition black-and-white depictions of good and evil. Twenty years ago Miyazaki attempted to get the rights to adapt Earthsea, but le Guin refused – a decision that she came to regret after watching several of his films. What is interesting is that the movie was helmed by Hayao Miyazaki’s son, Goro Miyazaki, and this is his directorial debut. Although far from great, this movie is still a good indication of hopefully even better works in the future from this director. Better known by the title Gedo Senki, the story revolves around a wise old wizard, a young prince with an accompanying dark side, and an evil witch who plans to use him for her own reasons.

I did not find the philosophical basis of the mythology in the movie very deep or interesting. These were mostly variations of “life has no definition without death”, which I don’t consider a well thought out position. It just seemed to me the director was taking intentional pauses, slowing us down to the time and culture of the people in the story. If this is a debut from Goro Miyazaki, then I think he will be awesome by the time he gets to his third or fourth film.  The characters are complex and multi-layered. The animation is beautiful, if ever so slightly different from that of Hayao Miyazaki.

The dialogue is strong and often hauntingly powerful, but the story is a bit confusing. If I can expand a bit more on the story I will try and explain it the best I can. The archmage Sparrowhawk encounters a young boy named Prince Arren in the desert, and takes him under his wing. Arren is on the run from his own kingdom after committing a horrible crime. After some misadventures with slavers, they make their way to Sparrowhawk’s friend/love interest Tenar, and her adopted daughter Therru. Unfortunately, the malevolent mage Cob has learned of Sparrowhawk’s presence nearby, and plans to use Arren in his quest for eternal life and revenge againt Sparrowhawk… unless Therru can help her friend come to terms with his inner darkness. The story was disjointed and pretty incoherent at times and leaves you feeling unsatisfied at the end.

I found the film directed by his son came up short on all the above aspects. The narrative was slackly paced and not always clearly explained. That aside, there is a lot to enjoy with this film and kids will eat it up. I suggest if you find this movie, give it a chance with an open mind and do not hold it up to such a high standard as Spirited Away or Princess Mononoke. I only make this observation because I find myself holding this movie to a fairly high standard that I would not apply to other mass market animated movies.



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  • http://www.facebook.com/terukei Teru Kei

    I avoided this one because I didn’t hear good things about it. Comments about how the animation itself had serious errors particularly stood out. I’ll consider watching this one day though, just to see if Goro has what it takes to take over for his pop.

  • Anonymous

    I did a review of this last week and wasn’t thrilled in the least. Sure we can expect Goro’s work to improve and he didn’t do half bad, but unfairly I think he’s being judged by Ghibli standards and even more so by being Hayao’s son (even though Goro’s profession isn’t animation).

    The animation was beautiful but still the story was rather disjointed and you said it with being “unsatisfied at the end”. It had promise but I think it got lost in a lack of both character and story development, not to mention exposition for what all was going on and why it was so important. You were more generous with your rating but one thing is clear, I agree with you that I can see Goro’s work improving pretty soon. Just a deflating first at bat that’s all. Nice write up!!

  • Anonymous

    One thing I noticed between Goro and his father which was disappointing here is the transition between scenes. Hayao’s films had lots of movement showing the intricacy of flying, walking which made for sweeping travel scenes. This felt flat and had a level of animation consistent with a Saturday morning cartoon show. Again, it’s Goro’s first film and it’s wrong to expect so much from him in his first film.